S106 (B2 I17–18)
F: Baldessari, “Floating color,” 1972 (h)
B: Ektachrome Transparency Processed by Kodak (p)
[John Baldessari, Floating: Color, 1972, one of a set of photographs, detail (with a blue canvas).
A view of a piece from Baldessari’s serie available here.]

S220 (B3 I37–38)
F: 4 1/16 37 (h) AUG 78N9 (p)
B: Color Slide Made by Kodak (p)
[John Baldessari, Structure by Color Series: Six Perspective Drawings (From Cubes) Arranged by Color Wheel, 1976, a set of six photographs mounted on board. A reproduction available in Craig Owens, “Telling Stories,” Art in America (May 1981): 130. Dup. S262.
A reproduction available here.]

S259 (B3 I43–44)
F: ©Art in America MAY 81 01 (p)
B: /
[John Baldessari, Blasted Allegories (Colorful Equation/Sentence): Stage Line; Shelf Life–Evaluative…, 1978, color photographs with paint marker, colored adhesive and pencil on board.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1978.35, 177, and a view of a piece from Baldessari’s Blasted Allegories series available here.]

S260 (B3 I43–44)
F: ©Art in America MAY 81 81 (p)
B: /
[John Baldessari, Cigar Smoke to Match Clouds That Are Different (By Memory–Front View), 1972–1973, three color photographs. A reproduction available in Craig Owens, “Telling Stories,” Art in America (May 1981): 129. Dup. S416.
A reproduction available here.]

S262 (B3 I43–44)
F: ©Art in America MAY 81 82 (p)
B: /
[John Baldessari, Structure by Color Series: Six Perspective Drawings (From Cubes) Arranged by Color Wheel, 1976, a set of six photographs mounted on board. A reproduction available in Craig Owens, “Telling Stories,” Art in America (May 1981): 130. Dup. S220.
A reproduction available here.]

S263 (B3 I43–44)
F: ©Art in America MAY 81 80 (p)
B: /
[John Baldessari, Pure Beauty, 1968, acrylic on canvas.
A reproduction available here.]

S264 (B3 I43–44)
F: ©Art in America MAY 81 84 (p)
B: /
[John Baldessari, Choosing (A Game for Two Players): Rhubarb, 1971–1972, one of seven color photographs. Reproduced in “Telling Stories,” Art in America (May 1981): 131. Dup. S415.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 1: 1956–1974 (New Haven: Yale University Press, 2012), no. 1972.8, 195.]

S273 (B3 I45–46)
F: ©Art in America MAY 81 85 (p)
B: /
[John Baldessari, Blasted Allegories (Colorful Equation): Carefully Weighed Words with Grey Definition…, 1978, black-and-white photographs with paint marker, colored adhesive and pencil on board. Reproduced in “Telling Stories,” Art in America (May 1981): 132. Dup. S393.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1978.34, 176, and a view of a piece from Baldessari’s Blasted Allegories series available here.]

S276 (B3 I45–46)
F: ©Art in America MAY 81 83 (p)
B: /
[John Baldessari, Car Color Series: By Color Wheel (First Instances Seen Walking from Studio), 1976, six color photographs. Reproduced in “Telling Stories,” Art in America (May 1981): 130. Dup. S387.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1976.41, 127.]

S335 (B3 I55–56)
F: ©Art in America MAY 81 90 (p)
B: /
[John Baldessari, Commissioned Painting: A Painting by Hildegard Reiner, 1969, oil and acrylic on canvas. Reproduced in “Telling Stories,” Art in America (May 1981): 135.
A reproduction available here.]

S336 (B3 I55–56)
F: ©Art in America MAY 81 89 (p)
B: /
[John Baldessari, Semi-Close-Up of Girl by Geranium (Soft View), 1966, acrylic on canvas. Reproduced in “Telling Stories,” Art in America (May 1981): 135.
A reproduction available here.]

S337 (B3 I57–58)
F: ©Art in America MAY 81 91 (p)
B: /
[John Baldessari, Wrong, 1966–1968, photographic emulsion and acrylic on canvas. Reproduced in “Telling Stories,” Art in America (May 1981): 135.
A reproduction available here.]

S338 (B3 I57–58)
F: ©Art in America MAY 81 87 (p)
B: /
[A black-and-white reproduction of John Baldessari, The Pencil Story, 1972, two color photographs and color pencil on board. Reproduced in “Telling Stories,” Art in America (May 1981): 133.
A reproduction available here.]

S339 (B3 I57–58)
F: John Baldessari High Flight 1986 Black & white photograph, Oil tint, acrylic 103 1/4 x 64 1/2” (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.32, 367, and online here.]

S340 (B3 I57–58)
F: John Baldessari Stares (with Lamps) 1986 Black & white photograph, Oil tint, acrylic 61 1/4 x 120” (t)
B: Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.35, 370, and online here.]

S341 (B3 I57–58)
F: John Baldessari Upward Fall 1986 Black & white photograph, Metallic paper, oil tint 95 x 68” (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.39, 374, and online here.]

S342 (B3 I57–58)
F: John Baldessari Proof 1986 Black & white photograph, acrylic 40 1/4 x 56 3/4” (t)
B: Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.31, 366]

S343 (B3 I57–58)
F: John Baldessari Various Chairs 1986 Black & white photograph, Oil tint, acrylic 44 3/4 x 68 1/4” (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.53, 388, and online here.]

S344 (B3 I57–58)
F: John Baldessari Two Bleeding Hearts Nosebleed (Red and Green) 1986 Black & white photograph, Oil tint, acrylic 30 1/2 x 72 1/2” (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[Reproduced in “Telling Stories,” Art in America (May 1981): 133.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.8, 343, and online here.]

S345 (B3 I57–58)
F: John Baldessari Stalk (with Tire) 1986 Black & white photograph & pencil 65 3/4 x 59 1/4” (with 5” space) (t)
B: /
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.19, 354.]

S346 (B3 I57–58)
F: John Baldessari Letter 1986 Black & white photograph, Acrylic 107 1/2 x 48 1/2” (t)
B: /
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.23, 358, and a view of a lithograph reproducing Baldessari’s work online here.]

S347 (B3 I57–58)
F: John Baldessari Puzzle 1986 Black & white photograph, Oil tint, pencil 64 3/4 x 49 3/4” (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.50, 385.]

S348 (B3 I57–58)
F: John Baldessari Boat and Ship 1986 Black & white photograph 30 1/2 x 40 1/2” (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[John Baldessari, Boat and Ship, 1986, two black-and-white photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.4, 339, and a view of a lithograph reproducing Baldessari’s work online here.]

S349 (B3 I59–60)
F: John Baldessari Cannon (with Fish) 1986 Black & white photograph, Oil Tint 48 1/2 x 30 1/2” (t)
B: Margo Leavin Gallery 812 N. Robertson Blvd, Los Angeles, CA 90069 (p)
[John Baldessari, Cannon (With Fish), 1986, two black-and-white photographs with oil tints.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.10, 345.]

S350 (B3 I59–60)
F: John Baldessari Exterior Views 1986 Black & white photograph, Oil Tint, acrylic 103 1/4 x 64 1/2” (t)
B: /
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.40, 375.]

S351 (B3 I59–60)
F: Baldessari 1975 #5530 (t) Made in USA (p)
B: Ektachrome (p)
[John Baldessari, Thaumatrope Series: Parrot and Cage, 1975, two black-and-white photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1975.47, 238.]

S352 (B3 I59–60)
F: John Baldessari Film in the Cities, Minneapolis, 1985 © 1985 Jane Regan (h)
B: /
[John Baldessari, Man and Woman with Bridge, 1985, temporary billboard project, Artside Out, May 31–August 31, 1985, Film in the Cities, Minneapolis.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1985.5, 332, and online here.]

S353 (B3 I59–60)
F: Baldessari 1975 #5534 (t) Made in USA (p)
B: Ektachrome (p)
[John Baldessari, Thaumatrope Series: Two Gangsters (One a Military Man), 1975, three black-and-white photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1975.46, 46.]

S354 (B3 I59–60)
F: Baldessari 1975 #5531 (t) 75 5531 Horse with 2 Riders (h) Made in USA (p)
B: Ektachrome (p)
[John Baldessari, Thaumatrope Series: Horse with Two Riders (Double Thaumatrope), 1975, three black-and-white photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1975.49, 48.]

S355 (B3 I59–60)
F: Baldessari #5536 Thaumatrope Series: Horse and Rider (For Muybridge) (h) Made in USA (p)
B: Ektachrome (p)
[John Baldessari, Thaumatrope Series: Horse and Rider (For Muybridge), 1975, two black-and-white photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1975.48, 47.]

S356 (B3 I59–60)
F: Baldessari Floating color, 1972 (t)
B: /
[John Baldessari, Floating: Color, 1972, color photograph (with a red canvas).
A view of the same serie available here.]

S357 (B3 I59–60)
F: John Baldessari 1986 Bridge 92 1/2 x 45 3/4” Black & white photograph, Oil tint, metallic paper, Acrylic & gouache (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.36, 371.]

S358 (B3 I59–60)
F: John Baldessari 1986 Giraffe Weight Black & white photograph, Acrylic, oil stick, 71 3/4 x 49 3/4” (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.30, 365.]

S359 (B3 I59–60)
F: John Baldessari 1986 Lighthouse Black & white photograph, Acrylic, 72 1/2 x 47 1/2” (t)
B: Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.49, 384.]

S360 (B3 I59–60)
F: John Baldessari 1986 Two Crowds: Trouble (Excluded); Watching (Included); Black & White photograph, 64 3/4 x 47” (t)
B: Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.12, 347, and online here.]

S361 (B3 I61–62)
F: John Baldessari 1986 Small Landscape Black & white photograph, oil tint, 26 ½ x 17 ½ inches (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.11, 346.]

S362 (B3 I61–62)
F: John Baldessari 1986 Stroll Black & white photograph, Oil tint, acrylic, 61 x 72 ½ inches (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.37, 372.]

S363 (B3 I61–62)
F: John Baldessari 1986 Spaces Between: Equal Time 96 x 7 5/8 each 96 x 144”: overall Black & white photograph on nine aluminium panels (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.16, 351, and online here.]

S364 (B3 I61–62)
F: John Baldessari 1986 Ribbon Black & white photograph, Oil tint, acrylic, 72 3/4 x 48 1/2”(t)
B: Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.26, 361.]

S365 (B3 I61–62)
F: John Baldessari 1986 Civic Piece Black & white photograph, Oil tint, gouache, 106 3/4 x 72 1/2” (t)
B: Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.33, 368.]

S381 (B3 I63–64)
F: John Baldessari 1986 Heel 106 1/2 x 87” Black & white photograph, Oil tint, oil stick, acrylic (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.38, 373, and online here.]

S382 (B3 I63–64)
F: John Baldessari 1986 Arms (with Pirhana [sic]) Black & white photograph, Color photo, acrylic 49 1/4 x 103 1/4” (t)
B: Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.29, 364.]

S383 (B3 I63–64)
F: John Baldessari 1986 That Is 88 1/2 x 77 1/8” Black & white photograph, Sepia tone, acrylic, oil tint, gouache (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.34, 369.]

S384 (B3 I63–64)
F: John Baldessari 1986 Life’s Balance Black & white photograph, oil tint 97 3/4 x 68 3/4” (t)
B: Douglas M. Parker Studio–Margo Leavin Gallery 812 N. Robertson Blvd Los Angeles, CA 90069 (p)
[A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1986.45, 380, and online here.]

S385 (B3 I65–66)
F: Baldessari Calif. Map Project May 3, 69 Calif.–Mexico Boundary (h) Made in USA (p)
B: Color Transparency (p)
[John Baldessari and George Nicolaidis, California Map Project, Part 3: California-Mexico Boundary Project, 1969, color photograph, detail.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1969.6, 119.]

S386 (B3 I65–66)
F: John Baldessari #6962 Violent Spc. Series … Guns, Barrels Aligned (h) Made in USA (p)
B: Ektachrome Transparency (p)
[John Baldessari, Violent Space Series: Six Vignetted Portraits of Guns Aligned and Equipoised (Violet), 1976, six airbrushed black-and-white photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1976.25, 113.]

S387 (B3 I65–66)
F: Baldessari Car Color Series by Color Wheel 1st instances seen walking from studio 1976 color photos 11 x 14” each (h) Duggal Project (p)
B: /
[John Baldessari, Car Color Series: By Color Wheel (First Instances Seen Walking from Studio), 1976, six color photographs. Reproduced in “Telling Stories,” Art in America (May 1981): 130. Dup. S276.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1976.41, 127.]

S388 (B3 I65–66)
F: Baldessari #9319 Arrange: detail (cool start), Blasted Allegories, 1978 (t)
B: /
[John Baldessari, Blasted Allegories (Colorful Sentence): Arrange… Zone. Adjectival in Imperative Mood (Cool Start/Yellow Line/Warn Ending), 1978, one of the twenty-six black-and-white photographs with marker paint, ink, and color overlay on board, detail.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1975.54, 50–51.]

S389 (B3 I65–66)
F: Baldessari 1975 #5555 Structure by Color Series: Simone with Fruit 1975 (h) OCT 79N5 (p)
B: Ektachrome Processed by Kodak (p)
[John Baldessari, Structure by Color: Simone with Fruit, 1975, six color photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1975.54, 50–51.]

S390 (B3 I65–66)
F: John Baldessari #7241 (h) Made in USA (p)
B: Ektachrome Transparency (p)
[John Baldessari, Violent Space Series: Six Situations with Guns Aligned (Guns Sequenced Small to Large), 1976, six black-and-white photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1976.26, 114 and online here.]

S391 (B3 I65–66)
F: #6953 Car Color Series Clean & Dirty Volvo Baldessari (h) Made in USA (p)
B: Ektachrome Transparency (p)
[John Baldessari, Car Color Series: 1968 Volvo, Dirty and Polished, 1976, two color photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1976.40, 126.]

S392 (B3 I65–66)
F: Baldessari 1975 #5533 (t) Thaumatrope Series: Two Gangsters (One with Scar) B+W Photos 16 x 20” each (h) Made in USA (p)
B: Ektachrome (p)
[John Baldessari, Thaumatrope Series: Two Gangsters (One with Scar and Gun), 1975, three black-and-white photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1975.43, 43.]

S393 (B3 I65–66)
F: Baldessari #8924 Blasted allegories 1978 colorful equation carefully weighed words with grey definition, b&w photos (t)
B: /
[John Baldessari, Blasted Allegories (Colorful Equation): Carefully Weighed Words with Grey Definition…, 1978, black-and-white photographs with paint marker, colored adhesive and pencil on board. Reproduced in “Telling Stories,” Art in America (May 1981): 132. Dup. S273.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1978.34, 176.]

S394 (B3 I65–66)
F: Baldessari #5650 (h) Made in USA (p)
B: Ektachrome (p)
[John Baldessari, Color Card Series: Five Oranges (With Foot), 1975, five color photographs mounted on board.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1975.55, 52–53, or online here.]

S395 (B3 I65–66)
F: Baldessari #5541 (h) Made in USA (p)
B: Ektachrome (p)
[John Baldessari, Kissing Series: Simone. Palm Trees (Near), 1975, two color photographs.
A reproduction available here.]

S396 (B3 I65–66)
F: John Baldessari #6964 Two Murder Weapons 1976 Color Photos 11 x 14” each (h) Made in USA (p)
B: Ektachrome (p)
[John Baldessari, Violent Series: Two Murder Weapons, 1976, two color photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 2: 1975–1986 (New Haven: Yale University Press, 2013), no. 1976.36, 121.]

S415 (B3 I69–70)
F: /
B: SL XII 20 (p) property of Craig Owens (h)
[John Baldessari, Choosing (A Game for Two Players): Rhubarb, 1971–1972, one of seven color photographs. Reproduced in “Telling Stories,” Art in America (May 1981): 131. Dup. S264.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 1: 1956–1974 (New Haven: Yale University Press, 2012), no. 1972.8, 195.]

S416 (B3 I69–70)
F: property of Craig Owens (h)
B: /
[John Baldessari, Cigar Smoke to Match Clouds That are Different (By Memory–Front View), 1972–1973, three color photographs. Reproduced in “Telling Stories,” Art in America (May 1981): 129. Dup. S260.
A reproduction available here.]

S504 (B3 I83–84)
F: Baldessari, J. Mondrian Story (1972–3) 2 color photo 13 1/2 x 20” 27631 (t)
B: School of Visual Arts Library (p)
[John Baldessari, The Mondrian Story (Version 1), 1972–1973, two color photographs.
A reproduction available in John Baldessari. Catalogue Raisonné, Volume 1: 1956–1974 (New Haven: Yale University Press, 2012), no. 1973.19, 238 and a view of a Baldessari’s work from The Mondrian Story series available here.]