S8 (B1 I1–2)
F: Decatur no. of Sahara Kruger (h) 16 (p)
B: Kodachrome (p)
[Barbara Kruger, Untitled (You Make History When You Do Business), 1981, billboard on Decatur Boulevard, North of West Sahara Ave, Las Vegas.
A reproduction of Kruger’s work available in Barbara Kruger, eds. Alexander Alberro, Martha Gever, Miwon Kwon, Carole Squiers (New York: Rizzoli, 2010), 270.]

S9 (B1 I1–2)
F: NOV 84N9 (p)
B: Kodak duplicate (p)
[Barbara Kruger, Untitled (We Get Exploded Because They’ve Got Money and God in Their Pocket), AQUI, Issue # 4, 1984, poster on street wall.
A view of Kruger’s work available here.]

S13 (B1 I3–4)
F: Kruger, Barbara Untitled, 1981–83 71424 (t)
B: School of Visual Arts Library (t)
[Barbara Kruger, Untitled (You Construct Intricate Rituals Which Allow You to Touch the Skin of Other Men), 1981, poster on wall of public urinal in Amsterdam.
A reproduction available here.]

S16 (B1 I3–4)
F: Billboard UC Sports Facility Matrix UAM–1986 (t)
B: /
[Barbara Kruger, Untitled (We Don’t Need Another Hero), 1986, billboard, Matrix 100, August 15-October 21, 1986, Art Museum and Pacific Film Archive, Berkeley.
A view of Kruger’s work available here.]

S17 (B1 I3–4)
F: Barbara Kruger 1981 60 x 40”, b/w photo (h)
B: /
[Barbara Kruger, Untitled (Your Comfort is My Silence), 1981, gelatin silver print.
A reproduction available here.]

S18 (B1 I3–4)
F: /
B: /
[Barbara Kruger, Untitled (You Invest in the Divinity of the Masterpiece), 1982, gelatin silver print.
A reproduction available here.]

S19 (B1 I3–4)
F: Barbara Kruger 1982 38 x 50” B/W photo (h)
B: /
[Barbara Kruger, Untitled (Your Manias Become Science), 1981, gelatin silver print.
A reproduction available here.]

S38 (B1 I7–8)
F: Barbara Kruger, Untitled, 1981–83, 71301 (t)
B: School of Visual Arts Library (t)
[Barbara Kruger, Untitled (You Make History When You Do Business), 1981, gelatin silver print.
A reproduction available here.]

S39 (B1 I7–8)
F: /
B: /
[Barbara Kruger, Untitled (We Will Undo You), 1982, gelatin silver print.
A reproduction available here.]

S40 (B1 I7–8)
F: /
B: /
[Barbara Kruger, Untitled (Your Gaze Hits the Side of My Face), 1981, gelatin silver print. Reproduced in “The Medusa Effect or, The Specular Ruse,” in Art in America (January 1984): 100. Dup. 368.
A reproduction available here.]

S41 (B1 I7–8)
F: /
B: /
[Barbara Kruger, Untitled (I Am Your Almost Nothing), 1982, gelatin silver print.
A reproduction available here.]

S42 (B1 I7–8)
F: /
B: /
[Barbara Kruger, Untitled (You Delight in the Loss of Others), 1982, gelatin silver print.
A reproduction available here.]

S43 (B1 I7–8)
F: /
B: /
[Barbara Kruger, Untitled (You Destroy What You Think is Difference), 1980, gelatin silver print.
A reproduction available here.]

S44 (B1 I7–8)
F: Kruger Barbara, untitled, 1983, 72227 (t)
B: School of Visual Arts Library (t)
[Barbara Kruger, Untitled (We Have Received Orders Not to Move), 1982, gelatin silver print. Reproduced in “The Medusa Effect or, The Specular Ruse,” in Art in America (January 1984): 100.
A reproduction available here.]

S45 (B1 I7–8)
F: /
B: /
[Barbara Kruger, Untitled (You Thrive on Mistaken Identity), 1981, gelatin silver print.
A reproduction available here.]

S130 (B2 I21–22)
F: Kruger, Barbara, Untitled, 1981–83 (71426) (t)
B: School of Visual Arts Library (t)
[Barbara Kruger, Untitled (You Are Seduced by the Sex Appeal of the Inorganic), 1981–1983, gelatin silver print.
A reproduction available here.]

S368 (B3 I61–62)
F: Kruger, Barbara Untitled, 1981–83 71293 (t)
B: School of Visual Arts Library (t)
[Barbara Kruger, Untitled (Your Gaze Hits the Side of My Face), 1981, gelatin silver print. Reproduced in “The Medusa Effect or, The Specular Ruse,” in Art in America (January 1984): 100. Dup. 40.
A reproduction available here.]

S515 (B4 I85–86)
F: L: Sherrie Levine R: Barbara Kruger Difference (h)
B: Return to: The New Museum (h) Manna Downtown (212) 691–8360 (p)
[An exhibition view of Sherrie Levine, After Egon Schiele, 1982, seven chromogenic prints; After Ernst Ludwig Kirchner, 1982, three color photographs; After Alexander Rodchenko, 1984, two black and white photographs; and Barbara Kruger, Untitled (We Are the Objects of Your Suave Entrapments), 1984, gelatin silver print, “Difference”: On Representation and Sexuality, December 8, 1984–February 10, 1985, New Museum, New York.
A reproduction available here.]